Parisian Realism Artists of the 19th Century

The following body of work focuses upon Realism and the artists, Manet (not to be confused with Monet) and Degas, two Parisian artists of the 1800s who captured the lives of the French people through their paintings.   Realism’s definition, it’s three defining characteristics, and its place in the time line of art history will be briefly presented, moving into the similarities and differences, such as mediums used in the artists’ works and their subjects of focus, found between Manet and Degas, in regards to their life’s passion as artists of the 19th century.   Brief summaries of each artist’s life will precede comparison of two selected â€Å"famous works† to compare and contrast the artists manifested passions for the work each created.RealismRealism is a style of painting which depicts subject matter-form, color, space-as it appears in actuality or ordinary visual experience without distortion or stylization (progressiveart.com).   Through realism, subjects are depicted in as straightforward a manner as possible, without idealizing them and without following rules of formal artistic theory (artcyclopedia.com).   Little emotional value is depicted, as the painter shows nature and people just the way he or she observes them (horton.ednet).Realism began to appear on the art scene in the 18th century, following the styles of Romanticism and Neoclassicism; French realism, in particular, was considered the guiding influence on the philosophy of Impressionists (artcyclopedia.com).   Manet and Degas were both considered Impressionists as well as Realists, Manet eventually being considered the leader in the Impressionist movement (artchive.com).Edgar Degas (1834-1917)Born in 1834 to a wealthy Parisian family, Degas was considered a shy, insecure, aloof individual; he never married.   Due to the family’s status, there was never a shortage of funds for his passion of art (artchive.com)[1].   Receiving his training in Louis Lamothe’s studio, Degas displayed the intense influence of paintings and frescoes he observed on long trips to Italy; his notebooks are filled with these subjects (metmuseum.com)[2].   He eventually came to â€Å"maturity† as a painter in the 1860s, where history painting was considered the most popular art at the time (artchive.com).Degas varied with mediums and supports, ranging from his classical training of oil painting on canvas to working with pastels on paper.   Sometimes he would combine mediums, as evident with his combination of oil and tempera paint on canvas with Dance School, dated 1874.   His subjects were typically women, especially noted for his observation of ballet in the 1880s, and people’s faces, of which he started out with self-portrait work before moving onto Parisians of low class.*Dance School, 1874[3]This work captures several different activities going on in a dance class.   There is the instructor, with whom three students are focused on the instruction being given.   A dancer in the left foreground pays attention to the violinist before her, as if waiting for a cue, from the music being played, to either join her classmates directly behind her or perhaps to wander to another part of the room where other students can be found.   This appears to be a possibility with another dancer, who stands poised with her head tilted to the left, listening for the moment to pull her into full stance and move into formation with her fellow classmates.The young lady directly behind her appears to be distracted, perhaps bored with the routines that are consistently taught, as she places her arms up around her head and looks slightly upward towards the ceiling.   A dancer at the window may be also distracted or bored but the observer is unaware due to the nature of her back being turned towards the class.   A final dancer stands at the bar, leg extended and appears to be concentrating on her bala nce and poise, or perhaps preparing herself to join the class after a proper warm up.Light from outside streams into the classroom, softly touching the floor, reaching out to add a sort of quiet lingering in the room; for all the various activities in the room, one would assume a sort of busy, almost chaotic sense would linger, creating distraction for all dancers, and even perhaps the musician and dance instructor, while in the midst of this setting.Eduard Manet (1832-1883)Manet was born in 1832, into the Parisian bourgeoisie.   Although well educated, he didn’t excel in the academic world; he displayed a passion for the arts at an early age and was encouraged by his mother’s brother to pursue this passion.   It wasn’t until after serving a brief time in the Merchant Marines in 1850 that he took up study with Thomas Couture, of which he stayed with his mentor until 1856.   During this time, he displayed preference for the works of Valazquez and Goya but f elt that â€Å"one’s art should reflect ideas and ideals of the present, rather than the past† (artchive.com).Manet, much like Degas, focused on the lower class Parisian people, a class unlike the class either one were born into.   Manet also had a preference for nude models in his work, of which he displayed in some of his work, the most popular-and controversial work being Olympia, an oil paint on canvas work from 1863.   His mainstay for medium preference was oil paint with a canvas support.*Olympia, 1863[4]The painting that caused a stir in 1863, one of which Manet did not intend.   The artist didn’t consider himself a radical, like Courbet but this work caused controversy just the same (artchive.com).   In the painting, there is a woman appearing to be reclining, with a relaxed, non aroused appearance not only found in her expression but can also be seen in her posture.   She wears a few simple pieces of jewelry, a flower tucked behind her left ea r, and one of her slippers has fallen off of her foot, yet she doesn’t seem to pay too much attention.   A small black cat, almost hidden in the shadows, arches its back and eyes are wide.The indentation made by the lady’s elbow emphasizes the softness of the pillows she reclines upon, and the floral scarf or shawl she is holding in one hand-with the remainder appearing out from under her lower body, seems to add a touch of color to the otherwise stark, white of the bedding she is resting upon.   Emerald curtains, perhaps made of velvet or a similar heavy fabric used with window treatments, hang in the background, one pulled aside just right of the subject’s head.To her left, it appears as if a servant of the house has brought flowers into the room; from a suitor or maybe even from the painter himself-although Manet was newly married at the time of the painting.   The servant’s expression displays a hint of trying to capture the attention of the rec lining woman but to no avail.Compare/ContrastDegas and Manet were working at the same time, and although Degas worked with other mediums and supports, such as pastel on paper, the two artists focused upon the common people of Paris, mainly women.   Degas has been more noted for his work with dance classes, Manet for his focus with women, such as the subject in Olympia, and the barmaid in A Bar at Folies-Bergeres, 1881-82[5].   Natural, relaxed expressions are to be found on the faces of the women who were the subjects of these two Parisian artists, bodies not posed for endless, exhausting hours appear to be more relaxed, giving a sense of â€Å"in the moment† with the work displayed, from beginning to completion.Similarity is found in the ability to allow subjects to â€Å"just be,† as opposed to awkward posing and unrealistic facial expressions. Difference can be found in the quality of the completed work, focusing on the mediums implemented by each artist.   Ma net’s use of oil on canvas provides a polished, almost photograph-like appearance, almost as if numerous sessions were undertaken to capture the quality of the resulting work.   Degas’ use of oil and tempera on canvas, sometimes an implementation of pastels and paper, gives a more â€Å"on the spot,† beginning on sight and then moving away to completion upon return to the studio quality to his finished work.SummaryManet and Degas, Parisian artists of the 19th century, men who were noted as Impressionists as well as Realists of their time, captured the images of the people of France, Paris and low class citizens in particular, and brought them to life on canvas for the world to eventually come to view; their works are displayed across the globe, from such places as Shelburne, Vermont to London to Paris.   Manifesting real life images, in a more natural state of being, was the center of the work Manet and Degas focused on in the duration of their art careers, influencing fellow and future artists to explore capturing the moment, and bringing the moment to life on the canvas.Works Citedwww.artchive.comHughes, Robert.   Nothing if not Critical: Selected Essays on art and Artists.*DegasMacDonald, Lisa.   1999.*Manetwww.artcyclopedia.com*Characteristics of Realismwww.google.com*Characteristics of Realismhttp://www.horton.ednet.ns.ca/staff/syme/arthistory/tsldo39.htm*Definition of Realismhttp://www.progressiveart.com/art_terms.htmwww.metmuseum.orgSchenkel, Ruth.   Edgar Degas: 1834-1917 Painting and Drawing.   In Timeline ofArt History.   New York: The Metropolitan Museum of Art, 2000.http://www.metmuseum.org/toah/hd/dgsp/hd_dgsp.htm[1] Notes from Huges, Robert.   Nothing if not Critical: Selected Essays on art and Artists.   www.artchive.com [2] Notes from Schenkel, Ruth.   Edgar Degas: 1834-1917 Painting and Drawing.   In Timeline of Art History.   New York: The Metropolitan Museum of Art, 2000.   http://www.metmuseum. org/toah/hd/dgsp/hd_dgsp.htm [3] Image can be found at www.artchive.com [4] Image can be found at www.artchive.com [5] Image can be found at www.artchive.com

Geoffrey Chaucer’s the Wife of Bath Essay

â€Å"The Wife of Bath’s Prologue and Tale explore many aspects of patriarchy – and sometimes reveal surprising attitudes within the tale and prologue.† Discuss. Geoffrey Chaucer’s the Wife of Bath is a text which is interwoven with references to Patriarchy and unanticipated attitudes towards the social backdrop in which it was created. Written in a period where males dominated the hierarchy, Chaucer through the Wife portrays the reversal of traditional roles, and a sense of rebellion and feministic instincts which at the time appeared extraordinary: â€Å"His poetic sensibility, combined with an immense understanding about men and women, enabled him to survey the life about him with such imaginative insight and power.† (Bennet 74) Throughout the Canterbury Tales, Chaucer speaks with remarkable authority on a huge range of subjects. This is perhaps made possible by the assortment of characters from all areas of society which travel on the pilgrimage. Alisoun’s character is perhaps best encapsulated in the manner of her entrance to the Tales. Clothed in the finest garments, her â€Å"hosen weven of fyn scarlet need†, well-travelled and â€Å"carteyn so wroth†, the Wife: â€Å"Strides into the Canterbury Tales on a large horse, spurs jangling, and ready to assert herself in a company made up almost entirely of men†¦ She is a medieval housewife who is not just going to star in a story, she is going to tell it.† (Reading the Wife’s Prologue and Tale) A far cry from the meek and submissive maidens so often portrayed in classic literature and fables prior to this; the Wife is independent, liberated and outspoken. The Wifes’ relationship to the men in her life is often one of total domination and manipulation. She enjoys â€Å"maistyre† over her male counterparts: Unne the mught they the statut holde In which that they were bounden un to me Ye woot wel what I mean of this, pardee! As help me God, I laughe whan I thynke How piteously a- nyght I made hem swynke. The Wife governs many aspects of her husbands’ lives, and rules with special sovereignty in the bedroom. Her sexual powers are and obvious source of seduction and control over her lovers. Very much a humanistic text, the Canterbury Tales constantly remind the reader of the complexity of the human character. One example of this could be the Knight, the embodiment of â€Å"chivalrye, Trouthe and honour, freedom and curteisye† in the hierarchy of society at the time. At first he appears to fit the specification perfectly. The however subtle passing motion which slightly removes the Knight from this brave and righteous tradition is left with us when he is described as â€Å"meke as a mayde†. Chaucer understood the depth of personality in each individual, and that a stereotype is never applicable. His characters almost always only very nearly fit the stereotype, and leave us scope to remain unconvinced about the rest. This refusal to comply with what many would describe as the one dimensional and traditional Fairytale characters allows for the issues of patriarchy to be discusses liberally. Interestingly, even at points of text which reflect a relaxed and conversational tone, the Wife constantly feels the requirement to reemphasise and argue her point with references to astrology and biblical references. These biblical references however are often contorted to suit the Wife’s requirement in the argument. For example the term from Genesis 1:22,28 â€Å"Go forth and multiply† is used as an excuse for the remarriage of the wife. This control and knowledge of the Church’s text represent a disregard to Patriarchal structures at many levels. The male governed Church, with its male oriented texts and belief systems for the Wife especially represent the oppression of men. For Alisoun the structures of literature, religion and authority are connected in that they represent male dominance. The Wife of Bath however cannot be totally classified as a pro feminist character. At many levels her dishonest, manipulative nature reinforces the common negative conceptions of anti- feminism at the time. Hansen (cited in Beidler) claims that this anti-feminist discourse mentioned above is less of a product of archness towards patriarchal literature. â€Å"Instead she is trapped in a ‘prison house’ of anti-feminist discourse. She is unable to see that her tactics simply reinforce all the stereotypical Medival ideas about women as cruel, emotional, and sexually voracious. Chaucer therefore is seen as reinforcing antifeminist views rather than undermining them.† Alisoun provides a vessal through which thousands of years of antifeminist literature are regurgitated with a revised purpose and tone of archness. One example of this method comes in Alisoun’s first words to the group, a repeat of earlier rhetoric (Awkroyd): Expeience, though no autoritee, Were in this world, is right ynogh for me To speak of woe that is in marriage. Peter Awkroyd (2005) believes that Chaucer â€Å"uses much of the antifeminist literature of the period but, by placing it in the Wife’s capacious mouth, he lends it a new and ironic lease of life.† The Wife’s five marriages on the outset portray a sense of calculated systematic marrying for the advancement of wealth and power. However, it could be argued that Alison was more than simply a ruthless professional. There are arguments that the fourth, and especially the fifth husband Jenkin, captured her love and stood in more than equal stead with their spouse: â€Å"That al myn herte I yaf unto his hold/ He was, I trowe, a twenty winter oold, and I was fourty.† Although the true love described by Chaucer at first appears conformal to the description of traditional literature, as often the case in the Tales, there is a cause for disease. In this case the context in which the romance begins, the burial ceremony of husband number four, Alisoun covets the younger page boy and her future husband. In Jankin, Alisoun finds a man to which she is willing to submit. Cruel, abusive, manipulative this husband domineers the relationship, physically, emotionally and sexually. At this stage the once immovable opposition to patriarchy admits that he partner â€Å"so well koude he me glose†. Furthermore the Wife admits that it is this form of denial and subornation in a relationship which causes women to crave what they cannot have: â€Å"wait what†¦crave† The dictatorship of Jenkin is further developed by Minnis, who claims Jenkin: â€Å"read aloud to her (translating from his anthology of antifeminist texts – It could be said then that she has learned at home, from her husband – how acquiescent and submissive can one get?† (Minnis 249) The Wife of Bath’s Tale and Prologue, as a text which attempts to examine Patriarchy, the attitudes portrayed are purposely less definable. Often categorised as either a feminist or anti- feminist text, The Wife of Bath is a complex mixture between the two. Chaucer, as always does not provide specific or obvious attitudes to these hierarchies and relationships. Instead, like his characters he provides us with an insightful cross- section of the Patriarchal society in which he existed. Reference List Awkroyd, Peter. ‘The Tales of Canterbury.’ Chaucer. London: Vintage, 2005. 150 – 53. Beidler, Peter G. Geoffrey Chaucer: The Wife of Bath. New York: Bedford Books, 1996. Bennet, H.S. ‘Chaucer.’ Oxford History of English Literature: Chaucer and the Fifteenth Century. Ed. F.P Wilson and Bonamy Dobrà ©e. London: Oxford, 1947. 74 – 75. Minnis, Alastair. ‘Chapter 4 Gender as Fallibility.’ Fallible Authors: Chaucer’s Pardonerand Wife of Bath. Philadelphia: University of Pennsylvania Press, 2008. 249. ‘Reading the Wife of Bath’s Prologue and Tale.’ York Notes Advanced: The Wife of Bath’s Prologue and Tale. London: Longman, 1998. 3 – 10.

The National Apology of 2008 - 1258 Words

Intro: 50-80 words The National Apology of 2008 is the latest addition to the key aspects of Australia’s reconciliation towards the Indigenous owners of our land. A part of this movement towards reconciliation is the recognition of Indigenous Australians and Torres Strait Islanders rights to their land. Upon arrival in Australia, Australia was deemed by the British as terra nullius, land belonging to no one. This subsequently meant that Indigenous Australians and Torres Strait Islanders were never recognised as the traditional owners. Eddie Mabo has made a highly significant contribution to the rights and freedoms of Indigenous Australians as he was the forefather of a long-lasting court case in 1982 fighting for the land rights of the†¦show more content†¦If latitude was adopted it could have caused Aboriginals to demand territory meaning that inhabitants sat on vast mining and economic resources. Additionally, it was possible that 1.5% of the population could have lain claim to around 50% of land area in Australia and the territorial and contiguous seas. If those possible claims were pushed through, the economic and financial costs would have been staggering, followed by severe backlash from non-Indigenous. Dr John Forbes specified â€Å"The High Court in its legislative jurisdiction has done what no single House of Parliament can do, it has passed an open money bill†. (Cooray, 1995). According to Doctor Mark Cooray, the supporters of Mabo were blissfully unconcerned about the consequences for Australian tax payers, consumers and industry. The cost of compensation was already borne by the people of Australia, endangering growing public antipathy to the claimants once the costs became apparent. On the contrary, Native Title became recognised in 141 cases, representing approximately 17% of the Australian continent and in 70% of cases, it was agreed to. (Gordon, 2014). Koen-Cohen stated that Australia has the harshest confronting claimants and that white Aus tralia still isn’t accepting the Indigenous land connections as a privilege rather than a problem. Additionally Paul Keating viewed the decision as a once-in-a-lifetime opportunity to make peace with the first Australians and those who came later affirming â€Å"FromShow MoreRelatedThe Apology Of The Holocaust1294 Words   |  6 PagesOn February 13th, 2008, indigenous and aboriginal people across all of Australia were deeply moved and in tears; The Prime Minister of Australia, Kevin Rudd, had finally apologised the Stolen Generations in his ‘sorry’ speech. The Apology was an important step towards rebuilding respectful and new relationships between indigenous and non-indigenous Australians, and to honour and apologize to stolen generations. 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Prevention And Detection Of Accounting Fraud - 2577 Words

Prevention and Detection of Accounting Fraud @@@@@ @@@@ @@@@ @@@ October 21, 2014 Abstract: A client has requested information on the prevention and detection of accounting fraud. The research paper will cover descriptions of types and components of fraud. It will offer suggestions as to who would commit fraud and how it would be detected and prevented. The research paper should provide a general overview of the subject in layman s terms. Introduction The Accounts Payable Manager writes himself a check which he then allocates to a fake invoice. The cashier pockets twenty dollars occasionally without ringing in a sale. The owner of the business fails to report thousands of†¦show more content†¦When the individual falls short of this perceived status they then feel that they cannot share this failure and may succumb to the need to commit fraud. 2) Personal failure, the individual commits fraud to cover a personal failure. 3) Business reversals, problems arises from conditions beyond the control of the individual, such as economic downturns, inflation, higher interest rates. 4) Physical isolation, in this situation the trusted person has no one to turn to. 5) Status gaining, the individual feels that he has to maintain a certain level of status. 6) Employer-employee relations, the individual feels neglected, unappreciated or abused by the organization and commits fraud to extract a measure of revenge (Wells, 2011 pgs 15-16). According to Cressey’s research fraud is only committed if all three stages of the triangle exist. Therefore, there must be a perceived opportunity. This opportunity must exist for fraud to happen and the opportunity will present itself in two areas, general information of the how the business operates, it’s levels of anti-fraud protection, the area’s where opportunity may exist and technical skill. Technical skill is the second requirement; an employee who doesn’t have the expertise will not be able to commit an involved fraud, they may be able to steal money from the till but may not be able to cover up the theft. 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Freedom, A Birth-Given Entitlement Or A Manmade Privilege

Freedom, a birth-given entitlement or a manmade privilege? For the female population on this Earth, neither is the appropriate answer. Freedom is defined by the power or right to act, speak, or think as one wants without hindrance or restraint; everyday women are silenced for speaking out or are frowned upon for being independent by not submitting to the heavy-weight of the set standards placed upon their shoulders. Over the centuries, the proposal of women having any rights remained a constant battle that appeared to not have any pre-destined ending. In the intervening time that Charlotte Perkins Gilman fabricated, â€Å"The Yellow Wall-Paper†, any thought of Women s Rights was unorthodox; whereas when Mary Oliver indited, â€Å"Wild Geese,†Ã¢â‚¬ ¦show more content†¦In the written text or in everyday life the never-ending phrases of â€Å"act like a lady† or â€Å"dress like a lady† are heeded, but this expectancy of how a distinct sex should act is unnatural and a standardization created by how society believes each gender should operate. On July 3, 1960, Charlotte Perkins Gilman was born in Hartford, Connecticut. She grew up to become a feminist who encouraged the female population to gain their independence. She produced a large body of polemical writing, what would today be called feminist writings, that made her a leading theoretician, speaker, and writer on women’s problems of her time. In 1896, Gilman published her most-known nonfiction short story called â€Å"The Yellow Wall-Paper.† Gilman wrote the story when she started suffering from extended periods of depression after she started to believe her marriage threatened her sanity. In 1935 Gilman committed suicide after she learned she had a type of inoperable cancer (Baym p.790-791). In the compelling fiction short story, â€Å"The Yellow Wall-Paper†, the narrator is a woman that suffers from a low-grade mental illness but because she is locked aw ay in a room her illness intensifies. The narrator’s husband, John, who is a

Proposal Utilisation of Marketing Communication Tools

Question: Discuss about the Project proposal report Utilisation of marketing communication tools to Promote infamous tourism sites in uk? Answer: Identifying various marketing communication tools Review The marketing communication tool that is utilised by the any hospitality organisation always targets the benefits enjoyed by the concerned organisation in terms of the promotion it makes for the infamous tourism sites of UK. As indicated by Batra et al. (2016, p.122), the different marketing communication tools comprises of advertising sales promotion, direct marketing, personal selling along with public relation activities. The Advertising is the best way to promote any product or services. Therefore, advertisement related to the concerned service s or the products is often available on the newspapers, televisions, radio along with the billboards, in order to attract more customers to the organisation and its service and products. However, sales promotion, avail the customers or the consumers with the discount coupons, loyalty clubs, incentives, membership coupons, attractive packages along with such others. Therefore, by providing the costumer with such related sales options , the more people get attracted towards the concerned services and product. Impact of marketing communication tool in promoting the infamous tourism sites In addition to above, the impact led by the marketing communication tool is effective in order to promote the infamous sites of infamous tourism sites. As indicated by Privitera (2016, p.24), the techniques that is frequently utilised by every organisation for promoting their unique product o service to the people that are unaware to the same is done by advertising. Therefore, in order to make people aware of anything that mode of advertising is utilised. Moreover, the advertisement made by the concerned organisation must be attractive enough in order to make tourists and other people urge to watch the entire advertisement related to the infamous tourism sites. Therefore, the impact that is laid by personal selling is not that effective than the advertisements and billboard. As for instances, unit can be further assumed that an information any be missed by an individual than the utilisation of the contents in billboards would further fill the individual with the relevant information. Challenges faced in implementing marketing communication tools for promoting infamous tourism sites As indicated by Peattie (2015, p.389), the implementation of the marketing communication tools in order to promote infamous tourism sites is a critical attempt. In addition to above, it is not necessary, that the people targeted by the concerned organisation would always get informed about the relevant product or services. Therefore, attempts hat are made by the concerned organisation must focus ob the contents that is presented in the advertisement of that particular information of the infamous tourism sites. In addition to above, the organisation further faced issues in terms of satisfying their targeted audiences, along with the relevant information that is further required to be portrayed in terms of the infamous tourism.Research In order to conduct the research project, the researcher will apply the Methodolo positivism research philosophy. In addition to above, there are different gy parameters that will be faced by the researcher, in order to conduct the taken research project . As indicated by Rey-Mart et al. (2016, p. 67), the research designs further help the individual to conduct the concerned research towards an accurate pathway. In addition to above, the research design will be selected by the concerned researcher is the Descriptive design that deal with the data collection with the help of the survey that will be conducted by the researcher. Moreover, the researchers will effort to target 100 people among the population of UK in order to structure the quantitative data. The survey that will be further conducted follows the online survey questionnaire format, so that more response and involvement can be achieved in less time.However, the research approach that will be selected by the researcher is the Deductive approach that further deals with the evaluation that would be acquired by the applicable theories as mentioned in the literature review. Therefore, buy marinating the above-mentioned philosophy, design approach and survey format, the research er further expects to gain relevant information related to concerned topic.Ethical In this research, the researcher may face different issues in order to conduct Considerati the research efficiently. The norms structured by the Data Protection Act 1998 ons will be followed and further maintained by the researcher (Legislation.gov.uk, 1998). In addition to above, the concerned Act portrays the confidentiality of the information that would be further collected by the researcher in favour of the research project. Therefore, the information that will be collected from the secondary sources would be considered to be followed in the rest of the research project. Moreover, there will be no external force given to the participants of survey. Timescales (Gantt Main Wee Wee Wee Wee Week Wee Chart) Activities/ k 1 k 2 k 3 k 9 15 to k 20 Stages to 3 to 9 to 20 to 15 24 Topic à ¢Ã¢â‚¬â€Ã‚  selection and its scope Page 5 of 8 Identificati à ¢Ã¢â‚¬â€Ã‚  on of secondary data sources Preparation à ¢Ã¢â‚¬â€Ã‚  of research proposal Preparation à ¢Ã¢â‚¬â€Ã‚  of literature review Description à ¢Ã¢â‚¬â€Ã‚  of research methodolog y Collecting à ¢Ã¢â‚¬â€Ã‚  primary data Analysing à ¢Ã¢â‚¬â€Ã‚  data Comparing à ¢Ã¢â‚¬â€Ã‚  findings Conclusion à ¢Ã¢â‚¬â€Ã‚  à ¢Ã¢â‚¬â€Ã‚  and recommend ations Final à ¢Ã¢â‚¬â€Ã‚  à ¢Ã¢â‚¬â€Ã‚  submission Analysis The possible outcomes that would be further acquired by conducting the research project will make the researcher acquire the authentic information in terms of the utilisation of marketing communication tools for promoting the infamous tourism sites in UK. Moreover, the researcher will get the important features related to the disappearance of the infamous tourism sites among the people of UK. In addition to above, the required sources that are selected as the secondary data sources were considered to be the refined information in terms of the selected research topic. References Batra, R. and Keller, K.L., (2016). Integrating Marketing Communications: New Findings, New Lessons, and New Ideas. Journal of Marketing, 80(6), pp.122-145.Gossling, S., Scott, D. and Hall, C.M., (2015). Inter-market variability in CO 2 emission-intensities in tourism: Implications for destination marketing and carbon management. Tourism Management, 46, pp.203-212. Peattie, K., (2015). Sustainability Marketing: Reconfiguring the Boundariesof Social Marketing. In Innovations in Social Marketing and Public Health Communication.pp. 365-389. Privitera, D., (2016). Poverty as a Tourism Attraction: Travelling on the Web. In Global Dynamics in Travel, Tourism, and Hospitality.pp. 23-40.Rey-Mart, A., Ribeiro-Soriano, D. and Palacios-Marqus, D., (2016). Entrepreneurial attributes of human capital and contingency factors in the culinary tourism. International Entrepreneurship and Management Journal, 12(1), pp.67-85. Shankar, V., Kleijnen, M., Ramanathan, S., Rizley, R., Holland, S. and Morrissey, S., (2016). Mobile Shopper Marketing: Key Issues, Current Insights, and Future Research Avenues. Journal of Interactive Marketing, 34, pp.37-48. Wojciechowski, Ã…Â .P. and Babjakov, V., (2015). Necromarketing in the Media and Marketing Communications. Social Communication, 2(2), pp.15-29. www.legislation.gov.uk, (1998) Data Protection Act 1998 Available at: https://www.legislation.gov.uk/1998?title=Data%20Protection%20Act%20 [Accessed on 18 Dec 2016]

Key Highlights of the Human Career

The development of mankind is more than simply a history for the modern society. These are the lessons that people have learned, the successes that they have achieved, the failures that they have suffered and the progress that we have made from Homo Erectus to Homo Sapiens Sapiens – the level of development that cannot be compared to any existing forms of life.Advertising We will write a custom essay sample on Key Highlights of the Human Career specifically for you for only $16.05 $11/page Learn More Thus, it is very important to remember the stages that the mankind has passed on its way to perfection. Each of those stages is marked somehow in the archeologists’ and scientists’ mind, and each of those stages can be represented by a certain artifact that can demonstrate the inventions that our ancestors made and the progress that they achieved. The treasure that the museum beholds is worth more than a gold mine, for this is the knowle dge that people have been collecting for centuries and thousands of years. Within these walls one can see the rise and fall of different civilizations, trace people learning to make weapons and creating the basis for the modern understanding of society. Here, the most significant artifacts have been selected to show the way that people have been going to achieve the present stage of development. The numerous artifacts will tell how important it is not to forget the old knowledge that the people of the past possessed. The artifacts have been arranged in a specific order for people to get the grip on the subject better and to have the possibility to see the numerous artifacts interconnected as they are, floating from one epoch into another. The artifacts have been placed in separate small cases for the visitors to have a better view on all of the elements grouped according to the sphere that they represent. The first case beholds the artifacts of people’s weapons, the second ha s scripts, and the third represents the sculptures that have been created in the ancient times. Hoping that the visitors will find the exhibition most interesting and cognitive, I would like top pass to the exhibits themselves.Advertising Looking for essay on anthropology? Let's see if we can help you! Get your first paper with 15% OFF Learn More One of the most impressive historic discoveries was the one of the Olduwan culture. The development of these people who were living in the times old as the hills was truly incredible. In the epoch of the Stone Age, the industry was developing at a very slack pace. The people who speeded it up somehow were the Oldowans. The ancient tribe managed to create the tools that helped them in their routine work and was used from 2.6 to 1.7 million years ago! However, that did have a negative effect of its own, with the people who used the invention of the previous centuries did not need to improve anything and thus did not feel the urg e to develop their skills in creating instruments for their work. That is what lies on the one hand, but on the other the historians see the Oldowan as the people that overran the epoch, leaving their heirs far behind. One could easily guess that the Oldowan civilization was born in Tanzania, the heart of Africa – since Africa is considered by a number of scientists as the cradle of the mankind. Of course, the connection between the Oldowan tools and the modern technology is rather vague, yet there is no doubt that the invention of the first weapon can be considered a starting point in human’s development. However, some scientists tend to argue against the importance of the Oldowan tools invention: How sure can we be that the Oldowan tools are in fact manufactured tools? This is not a very easy judgment to make, since the artifacts identified as tools consist simply of small pieces of rocks that are sharpened on one side. Could they not have been â€Å"found toolsâ₠¬ ? (Donald 111)Advertising We will write a custom essay sample on Key Highlights of the Human Career specifically for you for only $16.05 $11/page Learn More The instruments that they created were used for the prior goal, which was hunting. Although the Oldowan tools are considered the most primitive form of instruments that have ever appeared in the course of history, their importance stands beyond any doubts. If people had not started making steps towards the creation of the simplest tools and instruments, the modern civilization would have never achieved the present stage of development. After all, the great things begin with very small steps. The next issue in discussion will be the exhibit named Achaeulian Hand Axe. This invention is also considered to belong to the epoch of the Stone Age. Discovered in the region of Hoxne (Suffolk), the tools that the scientists found and considered the evidence of the people development in the Stone Age, these instruments signify the ancient people moving to Europe from the plentiful hot Africa. They created the tools that might help them to accommodate to the new environment and that was more suitable for the needs that they had in the age when they were changing the habitat. Chronologically, this event belongs to the times of the Lower Paleolithic era and signify that the ancient people have finally began to improve the tools, adjusting them so that they could be sharper, and that they could be easier to carry. The handle that the axe has shows clearly that this was a step forward in comparison to the sharp stone that was carried in hand and could not be a serious weapon in the fight with an animal. Found in India (Chandra 46), these weapons made the archaeologists understand that the Stone Age had been far more developed than it was supposed before. Like the previous exhibit, it has very distant relations with the modern weapons, yet it is a specimen of the ancient weapons and martial arts that has to be preserved.Advertising Looking for essay on anthropology? Let's see if we can help you! Get your first paper with 15% OFF Learn More The impact that this invention has had on the modern technology and human behavior is huge, yet rather distant in time. The next exhibit that is going to be of a great interest to those interested in the secrets of the ancient times is the drawing found in the Lascaux Cave in France. It is a well-known fact that the ancient people were trying to depict the events of their everyday life, as well as the most significant occasions, or what was considered significant in the prehistoric era. The cave of Laxcaus beholds the treasures far more valuable than the Flint’s cave. The artists were called the Magdalenians, who lived about 17,000 years from now. This was the epoch of the ice age, and the drawings that are depicted on the walls of the cave are called correspondingly the Ice Art. (Burnham 6). The pictures that the ancient people drew on the walls of their dwellings were showing various scenes, starting from hunting to the pictures of animals or people alone, or the signs that the people were using at that times. Of course, this cannot be posed as art from the modern point of view, and it was hardly the art for the sake of art – it could be more reasonable to suggest that the drawings were supposed to express the ideas that were prior to the people of the Stone Age era. These drawings can be subdivided into three groups, which are the images of animals, the images of people and the images of uncertain character that were supposed to signify something for the dwellers of the cave. Among the images of the animals, the most numerous are the drawings of equine. Since it was the main object for the hunt of the ancient people, they drew it as one of the most important elements of their existence. It is rather doubtful that the drawings found in the Lascaux cave could be considered as the beginning of the art era, but they still mean that the mankind started to use visual images to point at a certain subject or express an idea. This is a very important s tep in the development of the mankind. As people went on in their cultural progress and started searching for the new methods of finding food and hunting, they discovered fast that one of the ways to sustain their lives was to resort to eating the goods that they could grow themselves. Basically, it meant the beginning of the agricultural era and mean that people have achieved another stage of development. The weapons that they created were not aimed only at hunting, or killing anymore. People started to make the weapons that helped them to create an agricultural society. Of course, the process went long and with big pauses. But the first thing that showed the ancient people’s potential for the further mental growth was the fact that they began creating such instruments as sickles and microliths. Although nowadays sickle is rather a symbol of the bygone times and the lack of progress, in the Mesolithic culture, it was a major breakthrough. With all the reasons for the further progress, people started making the weapons that could help them grow the seeds and somehow gather the harvest. It is a clear-cut case of the fats development that leads from one invention to another. Since people realized that they needed to control the growth of the plants that they use as food, they necessarily had to come to the agricultural way of living. It must be also born in mind that a sickle was used even in the modern times, though it has been modified greatly. â€Å"The Natufian sites and Zawi Chemi had sickles (or at least sickle blades) and microliths; these were not found at Ganj-Dareh,† Ucko (363) says. Well, that only proves the fact that people cannot develop at the same pace. Some of them need more time than the others. The same goes for the cultures, perhaps. The invention has modified the modern human behavior, switching it to the agricultural society. The Natufian civilization is also known for its burial traditions. The proto-Neolithic cemetery that w as found in Shanidar cave is a sufficient proof for this. It must be well remembered that the discovery of the cemetery not only helped to restore the gaps in the information about the culture that left almost no traces in the history of the world, but also to obtain the missing information about the environment that the se people lived in, their traditions, customs and most known ceremonies: A variety of cultural materials were recovered from the cemetery fill. These items were found in all excavated portions of the cemetery, in squares both with and without stone features, but not equally distributed around the cemetery. (Solecki 64) The objects of the everyday life that were discovered there could be subdivided into two groups, the bone items and the stone ones. This is the evidence of the fact that the new age was coming up and that people were starting to use another materials in creating the weapons and tools for their use. Although the discovery was dating back to 12000 BC, i t still meant for the modern art and the modern human behavior a lot, because the objects of everyday life showed that the basis for home as a shelter was created. The ancient people must have been too tired of the nomadic life and decided to settle. One could claim that these weapons show that the new generation left the previous ones far behind. Indeed, the tools that the scientists found on the burial site were completely different from what they used to observe before. The variety of the stone tools that people had by that time was amazing. The ancient people already had smaller instruments, and they differed in form and sphere of their use. Thus, there were small pecked tools and ground stone tools. It is also important that they were used as decoration as well – among those were beads, pendants and small shaped stones which were the figures of people and people’s faces. The artfully done work made it quite clear that the new tools were created not only for the sa ke of hunting and working, but also because it bore a certain sense and some ideas that the people had. This was close to the pictures on the walls of the Lascaux cave, with their entertaining and magical element. The most important discovery in the cemetery was the plain and decorated slate objects. The clue about the significance of these objects was that they were manufactured in a very specific way: The items described were made of specifically selected raw material, a metamorphic slatelike stone. At least two distinct types of objects were made from this raw material: small decorated pieces elongated shaped tools. (Solecki 68) This discovery could lead to some more clues about the habits and the customs of the bygone civilization. A very unusual artifact, the next exhibit represents the culture that existed in the place where now Turkey resides. One of the most significant and beautiful elements of the ancient art, the frescoes that have been created in the place of Chatal Ho yuk, are the evidence of the fact that the civilization of the 6,500 BC era was no less progressive than the modern world. The beauty of the frescoes captures the visitors’ attention at once. It seems impossible that this could have been created by the people who did not have the tools, the instruments and the whole wide range of equipment that the modern people have. The modern technology must have been inspired by the tools and equipment of Chatal Hoyuk. The people of the ancient Turkey must have decided to create something that the descendants would worship and appreciate. Unfortunately, the area has been subjected to the multiple forgeries, and even now one can trace the remaining of the frescoes that were viewed as the real ones. (Muscarella 141). However, the modern scientists have made it possible for the visitors to enjoy the unique objects of the ancient culture without fearing that they would be fooled – the newest technologies have made it possible to verify each object’s authenticity and genuineness. The beauty of the ancient art will not leave a single visitor disappointed, so the gallery is really worth their while. The time has come to talk about the artifacts that represent the written evidence of the ancient cultures’ existence. Indeed, the Stone Age and the age of people mastering the art of hunting and searching for provision is of utter importance, but lots of people are still getting more curious as the conversation is getting closer to the issues of cultural life. What is being talked now is the first written evidence of the civilization existed. The gift of the written word is one of those that can draw the line between a man and a human. This is where the animal part of a man borders with the spiritual qualities, and where one can see the difference between living a wild and a cultural life. In spite of the fact that the first people to introduce the written evidence of their existence were far from being cal led the ones of highly developed cultural life, they still were more civilized than the previous culture. This could be explained by the fact that people were flocking into what would be later on called society and make the stem fro the mankind to cling to. The Cuneiform Tablet was the first written evidence of a man’s existence. Homo Sapience came to reign on the pre-historic Earth. That happened around 30th Century BC, which was not that far from the beginning of our times. The people were much more intellectual than it could be anticipated – and, it fact, they had already established their own culture that was getting closer to the modern concept of a cultural life. The modern art owes much ot this artifact, for it was the script with which the era of writing began. The people of the past must have been willing to leave a written evidence of their existence for the descendants of theirs. The progress was impressive, since there was not so much time that has passed. It could have taken several epochs more, but the Providence decided that this was the right time for people to introduce their own written culture. Of course, that could happen only in the most developed state that existed in those times in the entire world, which was Sumer. The people of Sumer had very promising culture and were practically the first ones to make the culture saturated with literature and with the art that resembled the ideas of the modern art. They were overrunning the epoch just like their prehistoric ancestors had been once, and this was the evidence that the pace of the progress was constantly growing. The new civilization added to the magnificence of the mankind. It was the first to establish the new stage in its history. It is curious that the Cuneiform Tablets appeared as the first script to introduce the alphabet and the ways to out the speech into a written form, but later on it was developed into cursive (Van de Mieroop 10), which signifies that writing wa s perceived by the people with gratitude and was used as the means to express their own ideas and concepts with great pleasure, quite intensively and eagerly. Of course, that was not the first attempt to exercise the writing genre in the history of the mankind, but that was one of the most successful tries, and the scale that it was growing at was impressive. However fast the civilization might develop, if it does not have a written art of its own, or at least a written document – a few words, in fact, would be enough – to prove its existence, it would be nothing – a naught – for the historians of the modern world. Sumer people introduced their Cuneiform Tablets, and it was more than sufficient to prove that they achieved the level of development that the other civilizations failed to. The results of the researches were held by archeologists showed that the Sumers were more than advanced for the time that they were living in. The shape that the first cune iform signs took were mostly â€Å"straight lines, with a broader head where the, now blunt, stylus was pressed into the clay, which led to the wedge-shaped look. In later period when instructions were carved on stone, these wedges were imitated by the stone-cutters, and they have become characteristic of the writing system. (Mieroop 10) The fact that the Sumers pioneered in the numerous areas that were further on developed into numerous branches of science and arts by the modern civilization proves that they had much more developed culture than the rest of the civilizations veer existed before. The so-called Warka Vase, or the Uruk Vase, that was created by the ancient craftsmen. The time that the creators showed the result of their fruitful work to the rest of the work cannot be defined precisely, but it is known now that the vase was created around 3,200 – 3000 BC. Unfortunately, like most of the exhibits, it has not been preserved untouched, and in present days it looks much like a wreck of a vase to those who know nothing about its amazing story, but for those aware of the great civilization that created it, the vase is the most precious object that can be found in the museum. With regard to the ancient masters, it can be said that their work is worth being called a masterpiece, with all the refined lines and curves. The pictures on its sides are performed artfully and with great sense for beauty. One cannot help admiring the beautiful artwork. The tree registers of carving – the tiers – that one can see on the bottom, the sides and the top of the vase, are the pictures of Tigris and Euphrates, animals, among them sheep and oxen. They can be characterized as a continuous pattern and perform a function of a decorative element rather than signify the important events in the Sumerian life. Meanwhile, the top carving shows the while picture, not the scattered pieces and show the image of a goddess Inanna, who was considered one of the he ad gods of Mesopotamia (Kleiner 20). The numerous names of her – Ishtar, Astarta and the rest – make it clear that the goddess was supposed a powerful force. Altogether, this makes the vase an important exhibit in the museum collection. What were the ancient masters inspired by as they created the vase? Hardly anyone can know it. However, this could be the passion for beauty that made the ancient people create this work of art. the modern art owes much to this vase, for its shapes and the dà ©cor are wonderful examples of an artwork even to the modern artists. The last, but definitely not the least is the artifact to represent the stages of the ancient cultures development is the sculpture of the Sumerian â€Å"City-Ruler†, or the â€Å"Priest-King†. The Uruk period that took place in 4000 – 3100 BC was marked by the growing theocracy, and the king that was heading the state was reigning rather as a priest-king, coordinating his reign with the â⠂¬Å"council of elders†. There is no doubt that during this period the state achieved the success that it had never experienced before. Consequently, people took the ruler as the wisest person that could lead them out of the dark. The image of the priest-ruler that could take his flock the right way was formed in this very period. It is peculiar that in the later Sumerian period the priest-king makes certain resemblance to Buddha, â€Å"with his beard shaven and the right shoulder bare† (Waddell 112). Perhaps, the ancient Sumerians were inspired by something or someone from up above to create this holy image. The image of an ancient god was, probably, the artifact that inspired sculptors of all times to challenge gods and carve images in stone. The abovementioned altogether make the sculpture more than simply a carving in the stone. This was the idol for the ancient Sumers, and they worshipped their king like a prophet. Perhaps, one of the main questions that will be rai sed as people see the artifact exposed in all its beauty is how the objects so distanced from each other in time and space could be gathered in a single exhibition. The reasons for such unexpected choice are to be explained. Actually, the history of mankind can be compared to a chain where every single link can break the whole construction down. The elements of the chain are interdependent, and each of them is an integral part of the whole object, which makes it complete and glued together. Thus, the connection between the civilizations that have been mentioned can be easily traced. One cannot leave unnoticed such traces of the interconnection between the civilizations as the common ideas, notions and perception of the world. The world picture may vary, but the clue that it is based upon remains the same. It is not merely a coincidence that the Sumerian idol resembles Buddha so much. Although such connection is hard to prove from a scientific point of view, there is no doubt that it exists, and that the influence that each civilization has on the next one is undeniable. There is a successful theory that J. Aruz has suggested: The roots of out own civilization lie in developments that took place more than six thousand years ago in the distant lands of western Asia. The region known to ancient authors as Mesopotamia – â€Å"the land between the rivers† of the Tigris and Euphrates – was home to one of the world’s great early civilizations, thriving at the eastern end of the so-called Fertile Crescent. (7) The very idea that the modern civilization takes its roots from such distant times seems incredible. Yet it is true. Indeed, the basis that the modern culture stands on was not thought up by the people of the new wonderful world – it was taken from the ideas of the Ancient Greece and Ancient Rome. Some of the nations have borrowed the elements of their culture from the Ancient Egypt. But however different the origins of the con temporary art might be, they all have the same feature about them, which is the fact that they are based on the experience of the previous civilizations. Watching all those magnificent traces left by the bygone civilizations, on might ask why these huge worlds had to go. Was it a war that destroyed them? Maybe, the natural cataclysm wiped them out from the face of the Earth? Or, perhaps, these people faced the attack of a meteorite. None is right. The thing is that the rise and fall of civilizations depend on nothing and no one else but the very people. The way they were governing their country and building up the society was the road that led them from the top of the world to the decay. There is a successful theory that J. Aruz has suggested: The roots of out own civilization lie in developments that took place more than six thousand years ago in the distant lands of western Asia. The region known to ancient authors as Mesopotamia – â€Å"the land between the rivers† of the Tigris and Euphrates – was home to one of the world’s great early civilizations, thriving at the eastern end of the so-called Fertile Crescent. (7) The very idea that the modern civilization takes its roots from such distant times seems incredible. Yet it is true. The key to the civilizations slowly coming to their decay is actually the cycles that the life of mankind is divided into. Repeating and spinning around the time line like the Earth spins around the Sun, those cycles mark the rise and fall of great civilizations. The stress leads people to agricultural society, for they are striving for their lives, which means striving for food and harvest. The abundance of resources, along with the wild resources, results in sedentism, which implies turning to a stable life with permanent home and abandoning the nomadic lifestyle. From the point of the theory of mind, which emphasizes that each human being is entitled with certain mental states, among them beliefs an d desires, intentions and thoughts, the mental progress of the ancient people meant that they were not different form the modern people. In fact, they were entitled with the same gift of mental states, that is, with the ability to have desires, emotions, beliefs and thoughts. Moreover, Diamond assures that these mental abilities are interconnected with the events that occur in the world, in a very special way. To put it more precisely, it cannot be stated whether the mental abilities trigger the events or vice versa, but there has always been the link between the two. The abovementioned abilities can actually be both the causes and the results of these events. Speaking of the cyclic development of civilizations, there is a reason to mention the Australian people that Diamond speaks about. Diamond proves that the chain leading from the top to the decay is the same fro all peoples and involves several elements that mark the stages of the mankind progress and regress. The earliest and the most intensive food production with the decent population was in the highlands of New Guinea between 4,000 and 9,000 feet. Drainage ditches from 9,000 years also have been found. By 6,000 years ago, extensive agriculture with terraces in drier areas and ditch systems to dry wet areas existed. Many are still used. (Diamond 31) This is the case of the path dependence that Diamond has described so well. He showed that the way from overproduction to the decay is inevitable and will ultimately follow any civilization, however successful its development could be. Then, the new civilization rises from the ashes of the old one to follow the footprints of the latter. The famous question that Yali asked: â€Å"Why is it that you white people developed so much cargo and brought it to New Guinea, but the black people had little Cargo of our own?† (Diamond 14) has been actually answered by Diamond. Facing the danger of over-nurture, human nature seeks the way out, and as they do, they turn to sedentism, beginning to lead a settled life. Resulting in the fertility and the population growth, the mankind development comes to a dead end as the resources are drained and the population is left with nothing. Thus, the competitive evolution emerges, for people to survive through the hard times, and the story starts from the very beginning. In spite of the fact that the cyclic development seems to leave too little space for progress and doom people to repeat the same mistakes, there is one â€Å"but† that is worth attention. One of the abilities of people is to draw conclusions from the previous experience. Owing to this ability, the new civilizations have an opportunity to achieve a better success in their development. New technologies are built on the ruins of the old ones. Also, the interaction between the civilizations and discovering the artifacts provides innovations in people’s lives. Finally, the role of language in facilitating the development cann ot be denied. The culture of speech, as well as writing, is one of the most important stages of human’s development. After all, only people have their vocal apparatus developed enough so that they can speak, in contrast to animals. The ideas that will come to people’s minds can be even more valuable and precious than all the artifacts of the exhibition altogether, for sometimes people need to see the small truths that they have always known about and have never succeeded to understand. These truths can lead to seeing the centuries-old ties that all people and all peoples have been linked to each other with since the world was created. And, maybe, this exhibition will inspire someone to leave a work of art of his or her own to the grateful descendants. Works Cited Aruz, Joan. Art of the First Cities: The Third Millennium B.C. from the  Mediterranean to the Indus. New York, NY: Metropolitan Museum of Art, 2003. Print. Burnham, Brad. Cave of Lascaux: The Cave of Prehist oric Wall Paintings. New York, NY: Rosen Publishing Group, 2003. Print. Chandra R., Sarat. Man in India. Bajpai: A. K. Bose, 1999. Print. Diamond, Jared. Guns, Germs and Steel: The Fates of Human Society. New York, NY: W. W. Norton Company. 1999. Print. Donald, Merlin. Origins of the Modern World: Three Stages in the Evolution of  Culture and Cognition. Harvard: Harvard University Press, 1991. Print. Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Stamford, CT: Cengage Learning, 2009. Print. Muscarella, Oscar W. The Lie Became Great: the Forgery of Ancient New  Eastern Cultures. Leiden: Brill, 2000. Print. Roach, Darby. Your Three Second Window: Changing Everyday Moments  into Extraordinary Opportunities for Success. New York, NY: Wordclay, 2010. Print. Solecki, Ralph et al. The Proto-Neolithic Cemetery in Shanidar Cave. Austin, TX: Texas AM University Press, 2004. Print. Ucko, Peter J. and Dimbleby G. W. The Domestication and Exploration of  Plants and Animals. New Brunswick, NJ: Transaction Publishers, 2007. Print. Van de Mieroop, Mark. Cuneiform Texts and the Writing of the History. New York, NY: Routledge, 1999. Print. Waddel, Austin. Makers of Civilization in Race and History. Whitefish: MT: Kessinger Publishing, 2009. Print. This essay on Key Highlights of the Human Career was written and submitted by user Amanda Mcgee to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.